An Intimate Conversation with Sandy Coomer
Dear Creative Woman, In an intimate interview, AROHO’s own Cassandra Lane met with Sandy Coomer to talk about the Rockvale Writers’ Colony, her upcoming gift to one woman for a week-long writer’s residency there inspired by the power of creativity, and her effervescent response to our featured question : Do you have a room of your own? What inspired your creation of this gift and could you describe the details? Be...
Do You Have a Room of Your Own?
Dear Creative Woman, Do you have a room of your own? We want to hear from you. Find the submit button to the right and share your creative response in art, prose, poem, photography, essay, music and more. ______________________________________________ “Solitude” by Jana O’Dell Quiet yet chaotic, this room holds all my secrets, all my faults and shortcomings, yet it still sees how fragile I am. No one...
The Q | do you have a room of your own
Dear Creative Woman, Do you have a room of your own? We want to hear from you. Find the submit button to the right and share your creative response in art, prose, poem, photograph, essay, music and more.
What is A Room of Your Own?
“In an environment like mine, what may have seemed too lofty or ambitious in my character was absolutely needed to keep the heart from breaking and enthusiasm from extinction.” — Margaret Fuller, American journalist, editor, and advocate, The Letters of Margaret Fuller Dear Creative Woman, In considering our ancestors and each other, Margaret’s letters and Virginia’s questions of utmost importance shape...
Ancestor Maps & Muses
From an Artistic Ancestor, May Sarton “I wrote poems to and about them [the muses]; I put them into novels … I lived with their faces … I studied them as if they were maps of the world — and in a way, I suppose they were.” — May Sarton, American poet, novelist and memoirist “Portrait of May Sarton” by Polly Thayer, 1936, courtesy of Fogg Art Museum Whether they serve as muses or maps of the world,...
Does the sea remember everything? I wonder.
Does she absorb everything? Does she keep it safe?
Virginia Woolf
. . .
The Q: Can you fathom the spectacle that would be created if we moved together, arms outstretched, close enough to touch?
The Q: What echoes through you that longs to take form—a poem, an image, a mark, a whisper of becoming?
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