To Virginia by George Ella Lyon
“To Virginia” by George Ella Lyon If you knew I sat at your feet I think you do know If you’d seen me retrace your steps Hyde Park Gate where you were born Gordon Square ...
Re-interpreting the Carved Revenge on Your Own Back by Shauna Osborn
“Re-interpreting the Carved Revenge on Your Own Back” by Shauna Osborn In the White Tigers section of The Woman Warrior, we bear witness to a short-lived family reunion before our warrior heads off to battle. Her parents carve oaths on her back, making her body a text where genealogical memory is visible and an emotional connection to the family’s interests are made physical: “Wherever you go, whatever...
Unmaking the Form by Marya Hornbacher
“Unmaking the Form” by Marya Hornbacher Professor Firchow was a giant even when seated, like a bear who towers even when on all fours, and he had enormous hands that gestured slowly, gently, as a bear might gesture if it did. He spoke to us softly of Modernism, and the end of narrative arc, and multiple selective omniscience, and the poetics of fragmented time. I was a snippet of a girl, not yet twenty, shy...
Counting and What’s Counted On by Robyn Hunt
“Counting and What’s Counted On” by Robyn Hunt “Nothing thicker than a knife’s blade separates happiness from melancholy.” (Virginia Woolf, Orlando) I know for sure: 1 I am married. 2 I own a home. 3 I write poetry – creating metaphor where others claim they cannot. 4 I have a daughter; she lives elsewhere now. 5 My grandmothers, both storytellers, lived well into their nineties, and in one...
Erotics of Making by Barbara Rockman
“Erotics of Making” by Barbara Rockman The woman brings her body to the page the way a climber clamps her thighs to the rock face the way a lover drops the last garment the way a girl crawls into a copse and, singing, arranges acorns and logs the way a mother skips away from the departing school bus. What is arousal? Words at the pen tip, ink rich as...