Georgia’s Palette by Elizabeth Kenneday
“Georgia’s Palette” by Elizabeth Kenneday ____________________ Share your response to this work, in any form, here Elizabeth Kenneday Artist Statement: Artist and author Elizabeth Kenneday, an Emeritá Professor of Art at the California State University in Long Beach, is active in environmental education through art. Her artworks have been exhibited internationally, and her writings on the subject...
The Q | the refracting wave
the refracting wave Q: What do we need from ourselves and each other to break pattern, to break open?*Responses will be curated and may be shared with permission.Permission* Yes, I give my permission Show Full AgreementBy submitting your response, you are granting AROHO permission for possible publication – in whole or excerpts – in WAVES, which is also archived on our website and may be shared on social platforms.Name* First Last...
Our Buoyant Force
The visual life is an enormous undertaking, practically unattainable. Dorothea Lange . . . The Q: How do we ride our buoyant force in the waves? Share Your Response Here Facing the bombarding waves seemingly coming from all directions, I engage the core of my soul and move forward, sometimes with the rhythm force of the current, learning to enjoy the journey. Carol Durant “Fault Line...
Indian Paintbrush by Simona Carini
“Indian Paintbrush” by Simona Carini A tuft of Indian paintbrush blooms in the fierce environment of a stretch of Northern California coast. It does not wait for a more suitable condition to materialize. It answers its call without delay. ____________________ Share your response to this work, in any form, here Simona Carini Artist Statement: Born in Perugia, Italy, and a graduate of the Catholic...
Fault Line with Parrot by Diane Lucille Meyer
“Fault Line with Parrot” by Diane Lucille Meyer In the very old green sketchbook, I found a watercolor sketch of a parrot. He was a borrowed pet very noisy and very active, almost more so when he saw me attempting to paint him. I retrace my random brush strokes back to the time and place when I made this sketch and I feel his effervescence and energy as I study the piece, closely and from afar, yet when I turn the...
The Q | Our Buoyant Force
Buoyant Force Q: How do we ride our buoyant force in the waves?*Responses will be curated and may be shared with permission.Permission* Yes, I give my permission Show Full AgreementBy submitting your response, you are granting AROHO permission for possible publication – in whole or excerpts – in WAVES, which is also archived on our website and may be shared on social platforms.Name* First Last Address* State / Province / Region...
a ping (or whalesong)
Your silence exists as does my self gathering. But so does the almost absolute silence of the world’s dawning. In such suspension, before every utterance on earth, there is a cloud, an almost immobile air. The plants already breathe, while we still ask ourselves how to speak to each other, without taking breath away from them. Luce Irigaray Naked I came into the world, but brush strokes cover me, language raises...
Shore by Lucy Aron
“Shore” by Lucy Aron Even in stillness, when you listen, there’s a heartbeat. ____________________ Share your response to this work, in any form, here Lucy Aron Artist Statement: I was seduced by literature while hovering in the vicinity of my forties, and photography possessed me about a decade later. I’m self-taught in both. But I learned from a lifetime immersed in music...
The Lake Diva Briefly Considers Consequences of Heresy by L L Harper
“The Lake Diva Briefly Considers Consequences of Heresy” by L L Harper “God is a polygendered fisherperson of multi-dominational souls.” Overheard as jon boat trolls by dock on Lake Murray Sometimes the stars fall like words from the blazing lips of God who disapproves of the kindling we have become, and we burst into flame, scald moist, summer air as we burn down to charred skeletals, our path stained...
A Snowy Crossing by Catherine Martzloff
“A Snowy Crossing” by Catherine Martzloff I define my creative identity in the following way: As a creator, I’ve always been interested in working with color. I see my life as having a palette of its own and I seek to have the chroma of my experience come through in my paintings. Over time, I’ve realized the only way to achieve this goal is to risk exposure–to unveil my perceptions. Whether the...