Sages of Haiti by Vanessa Charlot
Feb27

Sages of Haiti by Vanessa Charlot

  “Sages of Haiti” by Vanessa Charlot     I seek to capture raw beauty in people as they balance their lives between resilience and struggle.   ____________________ Share your response to this work, in any form, here   Vanessa Charlot Artist Statement: I’m a self-taught lesbian documentary photographer from Miami. I had the opportunity to document intimate parts of everyday living in Haiti...

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Anath by Gayle Bell
Feb27

Anath by Gayle Bell

  “Anath” by Gayle Bell   In the beginning of a time we knew as sacred Friendly enemies at the cornucopia   The mark of Cain furiously scrubbed and oiled Laying at bay the darkness the curse of dark continents   You ruffled my hair twined in my fist Growl the name my momma shouted   You taste like dark mango looked at me all hot eyed I looked at you all hot eyed   The moment was air and...

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Ophelia’s Flowers by Yvonne Hosey
Feb27

Ophelia’s Flowers by Yvonne Hosey

  “Ophelia’s Flowers” by Yvonne Hosey     In sum, this work is about: Longing for something to the point of madness, being stifled, belittled and considered just a vessel.   ____________________ Share your response to this work, in any form, here   Yvonne Hosey Artist Statement: I am an artist, a lover of vibrant color, an unabashed feminist, mother by choice and wife. My art means everything...

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Summoning the Flood
Jan31

Summoning the Flood

  …   Virginia Woolf famously declared that for women to make art, they needed £500 a year (rather more now) and rooms of their own … It takes a monstrous gesture to claim that space. As artists we have learned we have to take up the whole house, upstairs and down, attic and basement. Alice-like we will have to spill out of all the windows and doors and out into the street, making the private public, the domestic...

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The Q | Is Our Art Ever Too Much
Jan24

The Q | Is Our Art Ever Too Much

  Is Our Art Ever Too Much? Q: How do we respond when it floods our boundaries? How can we embody the flood?*Responses will be curated and may be shared with permission.Permission* Yes, I give my permission Show Full AgreementBy submitting your response, you are granting AROHO permission for possible publication – in whole or excerpts – in WAVES, which is also archived on our website and may be shared on social platforms.Name*...

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